The General Manager of Sony Music Entertainment West Africa, Michael Ugwu has left his position in the company after 5 years of service.
He was also instrumental to the signing of Nigerian rapper, YCee whose song “Juice” became the most-streamed track in Sony Music Africa’s history.
In his post on instagram, he wrote:
“Today is my last official day as the pioneer General Manager of Sony Music Entertainment West Africa.
I’m super proud to have anchored the first major label in Nigeria validating the massive efforts of the independent sector in Nigeria’s meteoric music business growth.
“Despite all the current challenges we are facing as a nation-state suffices to say that the Nigerian music industry is one sector that makes us all immensely proud,”
“From an international perspective, one of my personal favourite highlights were bringing Jidenna, Sylvia Rhône and both their teams to Lagos and Enugu, Nigeria (Igbo kwenu!).
“More recent highlights would be watching Lil Nas X break the record for longest run ever at No.1 on the Billboard Hot 100 (17 weeks and counting) as well as the release of Beyoncé’s “The Gift” album under Columbia Records.
“The full impact of that album on the scene is yet to be really felt but I believe it was a brilliant introduction for some of Africa’s biggest stars to the US market, big congrats to all involved.
“Collaboration, after all, has been and will continue to be critical on the creative as well as the commercial side of the business.
“From a local to a global business perspective, we must always recognize that there is a symbiotic relationship between creators, distributors, indies, majors and DSPs and everyone under over and in between in today’s music business.
“I’m fortunate to have met and delivered for some superstar artistes but I’m even more proud to have met, worked with and learned from some of the best executives in the global music business.
“I’ve now participated in almost every segment of the modern music industry value chain and continue to learn a lot about these relationships and structures.
“In this day and age of opportunity, awareness and artist direct opportunities, unless the major labels deploy considerable resources to a market like Nigeria, they will not be a dramatic value add to the ecosystem in any way shape or form
“Technology has given creators a massive advantage to grow their careers independently and as the industry continues to grow, the majors will hopefully find their rightful place in the local ecosystem in Nigeria and Africa because in truth we all need one another to continue to create local and global value as well as grow this into a truly “sustainable” sector.
“It’s a super exciting time to be an entrepreneur in the creative space,”